Materials and finishes · Fuengirola

Choosing materials for custom furniture

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A timber look can be achieved in several ways, each with different maintenance and cost. We explain those differences in the context of your project.

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The choice is part of the project

The best material is the one that suits the way the furniture will be used

We do not recommend finishing in isolation. The same look may require a different base, edge or hardware depending on the room and frequency of use.

Wear and tear

Humidity, heat, shocks, cleaning, load and opening frequency

Design and light

Colour, texture, grain, sheen and relationship with floors and walls

Maintenance

Ease of cleaning, repair and performance over time

Planned investment

We prioritise what adds value to use and avoid unnecessary extra costs

Direct consultation · Recommendation by project · No obligation

Tell us what furniture you need

A manager will review the use, the space and your references to guide you on the appropriate materials

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Material families

Options with which we can manufacture

This guide explains the common possibilities. Availability, brand, collection, tone and final specification are confirmed with your project manager

Technical melamines

A versatile solution for interiors of wardrobes, kitchens, living rooms and furniture for daily use. They offer a wide variety of colours, woods and textures with easy maintenance

The manager confirms adequate quality, thickness, edge and resistance

Lacquered MDF

Allows smooth surfaces, custom colours and machined fronts. It is common when looking for a continuous, matte or satin composition, with greater design freedom.

The type of lacquer and the preparation are defined according to the piece and its use.

natural timber veneer

It provides grain and natural warmth with greater dimensional stability than a solid piece. It is suitable for living rooms, bedrooms, offices and projects with a more architectural presence.

We select species, cut, tone and varnish together

solid timber

It is used in fronts, structures, mouldings, countertops or details where its resistance and character add value. Its natural performance must be considered from the design

The project manager explains where it makes technical and economic sense

HPL and laminates

High resistance surfaces for areas exposed to friction, humidity or frequent cleaning. Available in colours, mineral designs, woods and technical finishes

The specification depends on the room and the support used

plywood

Stable structural board with characteristic edge, useful in certain technical solutions, visible interiors and furniture with contemporary appearance

Class, thickness and finish are assessed for each application

Glass, mirror and metal

They complement display cases, doors, shelves, dividers and decorative details. They can provide lightness, reflection, transparency or contrast within the same piece of furniture.

Safety, weight, fixing and maintenance are reviewed before defining them

Hardware and accessories

Hinges, guides, lifts, sliding systems, lighting and interior organisation determine the operation as well as the exterior finish.

The manager sizes them according to load, opening and frequency of use

Materials advice

How do we arrive at a suitable proposal?

You don't need to know brands or specifications. With photographs, a reference and an idea of use we can begin a practical material review

01
We understand the project
We review the stay, approximate measurements, use, visual references and priorities
02
We discard what is not appropriate
We filter options by humidity, resistance, cleaning needs, weight, light and budget
03
We present coherent alternatives
We explain relevant differences and propose comparable combinations
04
We validate before manufacturing
Finishes, edges, hardware and details are defined in the final proposal

Common questions

What you should know before choosing

The exact answer depends on the type of furniture and the conditions of the home.

Can I submit a Pinterest reference or photo?＋

Yes. It helps us understand the appearance you have in mind. The manager will translate this reference into materials, thicknesses, finishes and systems that can be manufactured and installed in your space.

Is there a recommended material for the entire home?＋

Not necessarily. Kitchen, bathroom, bedroom and living room have different demands. We can maintain a coordinated aesthetic using different specifications where necessary

Can I see colours and samples before deciding?＋

Representative samples are compared once the project has a clear technical and visual direction. This is how we compare truly compatible alternatives and not complete catalogues without context

Does the material change the budget a lot?＋

It has an influence, but so do the measurements, the number of modules, the fittings, the machining and the fitting. The manager will tell you where it is worth investing and where there is a more efficient alternative

A project grounded in the property

From room photographs to decisions the workshop can use

Some projects arrive with plans and a finish schedule; others begin with phone photographs. Both can progress well when the assumptions are made visible early.

A brief can be informal

We would rather receive three clear facts than a long wish list copied from a catalogue. The first review looks at touch, cleaning, moisture, daylight, expected wear and the level of repairability the project requires, then narrows the scope.

Reference images help us read taste, not copy dimensions. We mark what you like about them—perhaps the calm fronts, open display or timber tone—and test only that idea against the room.

Rough dimensions first; verified dimensions later

There is no benefit in collecting dozens of dimensions before the furniture has a clear job. We first decide what needs confirming, then measure those junctions carefully.

We distinguish a dimension used to explore an idea from one released to the workshop. That small discipline prevents an early estimate from quietly becoming a production instruction.

Choose from a shortlist, not a wall of samples

The project manager filters the options before presenting them. You see credible alternatives with an explanation of what changes in feel, upkeep and price—not a catalogue without context.

Maintenance is discussed in ordinary language: what marks, what wipes clean, what can be touched up and what is likely to age visibly.

Long panels need an arrival plan

A beautiful elevation is not enough if it cannot enter the building or be adjusted safely. The fitting sequence is considered while the drawings can still respond.

We also confirm where packaging and offcuts can be handled. It is a small logistical question with a noticeable effect on a tidy fitting day.

Price becomes useful when the assumptions are visible

Phasing can be sensible, particularly when several rooms are involved. What matters is deciding the sequence before one early choice limits a later room.

A written exclusion is as useful as an inclusion. It prevents assumptions about electrical work, decoration, appliances or removal of existing furniture.

What happens after the first review

The aim of the first exchange is simple: give the project a sensible direction without manufacturing certainty that does not yet exist.

Clients should leave each stage knowing what they need to decide and what remains with us. Silence is not treated as approval.